Over the last decade, Nandita Roy and Shiboprosad Mukherjee have fundamentally reshaped the national visibility of Bengali cinema. At a time when regional films struggled to find sustained space in India’s multiplex ecosystem, their banner, Windows Production, delivered consistency, scale, and commercial credibility across major national plex chains.
With cumulative collections touching ₹30,39,42,803.59, films like Praktan, Posto, Haami, Belashuru, Raktabeej and Bohurupi didn’t just perform well during festive windows they demonstrated long theatrical legs, repeat footfalls, and audience acceptance beyond traditional regional markets.
What sets this decade-long run apart is intent. Each release balanced rooted storytelling with universal emotion, making Bengali narratives accessible without diluting their cultural core. As producers and storytellers, Roy and Mukherjee built trust with exhibitors and audiences alike, proving that language is no barrier when content connects.
As Windows Production marks 25 years, their journey stands as a case study in how regional cinema can move from the margins to the mainstream, one film, one Friday, and one packed multiplex at a time.
